Friday 5 September 2008

Mp3 music: Joni Mitchell






Joni Mitchell
   

Artist: Joni Mitchell: mp3 download


   Genre(s): 

Easy Listening
Miscellaneous
Rock: Folk-Rock
Rock: Folk
Rock
Jazz: Jazz-Rock

   







Joni Mitchell's discography:


Shine
   

 Shine

   Year: 2007   

Tracks: 10
A Tribute to Joni Mitchell
   

 A Tribute to Joni Mitchell

   Year: 2007   

Tracks: 12
Shadows and Light (CD 2)
   

 Shadows and Light (CD 2)

   Year: 2003   

Tracks: 10
Shadows and Light (CD 1)
   

 Shadows and Light (CD 1)

   Year: 2003   

Tracks: 9
Travelogue (CD 2)
   

 Travelogue (CD 2)

   Year: 2002   

Tracks: 11
Travelogue (CD 1)
   

 Travelogue (CD 1)

   Year: 2002   

Tracks: 11
Both Sides Now
   

 Both Sides Now

   Year: 2000   

Tracks: 12
Blue
   

 Blue

   Year: 1999   

Tracks: 10
Hits
   

 Hits

   Year: 1996   

Tracks: 15
Chalk Mark In A Rainstorm
   

 Chalk Mark In A Rainstorm

   Year: 1988   

Tracks: 10
The Hissing Of Summer Lawns
   

 The Hissing Of Summer Lawns

   Year: 1987   

Tracks: 10
For The Roses
   

 For The Roses

   Year: 1987   

Tracks: 12
Hejira
   

 Hejira

   Year: 1976   

Tracks: 9
Court and Spark
   

 Court and Spark

   Year: 1974   

Tracks: 11
Ladies Of The Canyon
   

 Ladies Of The Canyon

   Year: 1970   

Tracks: 12
Clouds
   

 Clouds

   Year: 1969   

Tracks: 10
Taming The Tiger
   

 Taming The Tiger

   Year:    

Tracks: 11
Song To A Seagull
   

 Song To A Seagull

   Year:    

Tracks: 10
Dreamland
   

 Dreamland

   Year:    

Tracks: 17






When the sprinkle settles, Joni Mitchell english hawthorn stand as the to the highest degree important and influential distaff recording artist of the late twentieth one C. Uncompromising and iconoclastic, Mitchell lost expectations at every turn; restlessly innovational, her music evolved from deeply personal family stylings into pop, jazz, avant-garde, and even worldly concern music, presaging the multicultural experimentation of the 1980s and 1990s by over a decade. Fiercely main, her work steadfastly resisted the whims of both mainstream audiences and the male-dominated recording industry. While Mitchell's records ne'er sold in the same numbers puddle enjoyed by contemporaries like Carole King, Janis Joplin, or Aretha Franklin, none experimented so recklessly with their artistic identities or so bravely explored territorial dominion away of the recognised confines of pop music, resulting in a creative bequest which paved the management for performers ranging from Patti Smith and Chrissie Hynde to Madonna and Courtney Love.


Born Roberta Joan Anderson in Fort McLeod, Alberta, Canada, on November 7, 1943, she was stricken with infantile paralysis at the age of baseball club; spell convalescent in a children's hospital, she began her performing vocation by singing to the other patients. After later teaching herself to play guitar with the assistance of a Pete Seeger instruction ledger, she went off to art college, and became a fixture on the tribe music setting about Alberta. After relocating to Toronto, she married folksinger Chuck Mitchell in 1965, and began performing under the nominate Joni Mitchell.


A year later the duo moved to Detroit, MI, merely detached presently after; Joni remained in the Motor City, however, and north Korean won significant urge hail for her burgeoning songwriting skills and smoky, classifiable vocals, in the lead to a string of high profile performances in New York City. There she became a cause célèbre among the media and other performers; after she gestural to Reprise in 1967, David Crosby offered to produce her debut criminal record, a self-titled acoustic attempt that appeared the following year. Her songs besides ground peachy success with other singers: in 1968, Judy Collins scored a major attain with the Mitchell-penned "Both Sides Now," patch Fairport Convention covered "Easterly Rain" and Tom Rush recorded "The Circle Game."


Thanks to all of the outside exposure, Mitchell began to pull in a hard cult following; her 1969 sophomore effort, Clouds, reached the Top 40, patch 1970's Ladies of the Canyon sold level better on the strength of the single "Handsome Yellow Taxi." It besides included her anthemic opus "Woodstock," a major strike for Crosby, Stills, Nash & Young. Still, the commercial and critical approval awarded her landmark 1971 record Blue was unprecedented: a luminous, starkly confessional go under written primarily during a European holiday, the album steadfastly established Mitchell as one of pop music's most noteworthy and insightful talents.


Predictably, she turned aside from Depressed's incandescent folk with 1972's For the Roses, the first of the many major stylistic turns she would take over the course of her daring life history. Backed by rock-jazz performing artist Tom Scott, Mitchell's music began moving into more pop-oriented territory, a change typified by the individual "You Turn Me On (I'm a Radio)," her first significant hit. The followup, 1974's authoritative Court and Spark, was her nigh commercially successful outing: a sparkling, jazz-accented fix, it reached the number deuce smirch on the U.S. album charts and launched trey hit singles -- "Serve Me," "Justify Man in Paris," and "Elevated on Robbery."


After the 1974 live compendium Miles of Aisles, Mitchell emerged in 1975 with The Hissing of Summer Lawns, a bold, near new wave record that housed her progressively complex songs in experimental, jazz-inspired settings; "The Jungle Line" introduced the rhythms of African Burundi drums, placing her far in front of the kill world's mid-'80s fascination with public music. 1976's Hegira, recorded with Weather Report bassist Jaco Pastorius, smoothened out the music's more difficult edges while employing minimalist techniques; Mitchell later performed the album's first base single, "Coyote," at the Band's Final Waltz concert that Thanksgiving.


Her next travail, 1977's two-record rig Don Juan's Reckless Daughter, was some other ambitious move, a compendium of foresightful, largely improvisational pieces recorded with jazz players Larry Carlton and Wayne Shorter, Chaka Khan, and a stamp battery of Latin percussionists. Shortly after the record's spillage, Mitchell was contacted by the legendary jazz bassist Charles Mingus, wHO invited her to make with him on a musical rendering of T.S. Eliot's Four Quartets. Mingus, wHO was suffering from Lou Gehrig's disease, sketched out a series of melodies to which Mitchell added lyrics; however, Mingus died on January 5, 1979, in front the disc was completed. After Mitchell finished their collaborationism on her own, she recorded the songs under the title Mingus, which was released the summer later on the jazz titan's pass.


Following her second live compendium, 1980's Shadows and Light, Mitchell returned to pop district for 1982's Godforsaken Things Run Fast; the first individual, a cover of the Elvis Presley hit "(You're So Square) Baby I Don't Care," became her first chart single in eight age. Shortly after the album's spillage, she marital bassist/sound engine driver Larry Klein, wHO became a frequent collaborator on a great deal of her subsequent material, including 1985's synth-driven Dog Eat Dog, co-produced by Thomas Dolby. Mitchell's displace into electronics continued with 1988's Chalk Mark in a Rain Storm, featuring guests Peter Gabriel, Willie Nelson, Tom Petty, and Billy Idol.


Arthur Mitchell returned to her roots with 1991's Night Ride Home, a spare, stripped compendium spotlighting little more than her voice and acoustic guitar. Prior to recording 1994's Roily Indigo, she and Klein spaced, although he still co-produced the disk, which was her most acclaimed work in eld. In 1996, she compiled a geminate of anthologies, Hits and Misses, which self-contained her chart successes as well as underappreciated favorites. A newfangled studio record album, Taming the Tiger, followed in 1998. Both Sides Now, a accumulation of standards, followed in early 2000.


Deuce age later, Mitchell resurfaced with the double-disc release Travelog. She announced in October 2002 that this would be her last album e'er, for she'd fully grown tired of the industry. She told W magazine that she intended to crawl in. She too claimed she would never sign some other corporate mark deal and in Rolling Stone blamed the transcription manufacture for being "a sink." By the time Travelog appeared a month afterward, Mitchell had simmered down and her plans to call off it quits had been axed. Numerous compilations and remasters appeared between 2002 and 2006, culminating in the button of the independent Shine in 2007.






Saturday 16 August 2008

Fabian to be honored by Jimmy Stewart museum

INDIANA, Pa. �

Fabian Forte will be honored by the museum dedicated to thespian Jimmy Stewart.


The 65-year-old singer-actor will get the 2008 Harvey Award on Oct. 24 from the James M. Stewart Museum Foundation. The museum is in Stewart's hometown, Indiana, Pa., about 45 miles northeast of Pittsburgh.


Fabian was a teen idol in the late fifties and former '60s world Health Organization appeared in more than 30 films, including deuce with Stewart, "Dear Brigitte" (1965) and "Mr. Hobbs Takes A Vacation" (1962).


Past Harvey Award winners include June Allyson, Janet Leigh, Shirley Jones, Ernest Borgnine and impressionist Rich Little. The foundation's award is named for the 1950 film in which Stewart befriends an invisible rabbit.


---


On the Net:


http://www.jimmy.org










More info

Thursday 7 August 2008

DJ Keyz and Lil Wayne

DJ Keyz and Lil Wayne   
Artist: DJ Keyz and Lil Wayne

   Genre(s): 
Rap: Hip-Hop
   



Discography:


Collabo Edition 29   
 Collabo Edition 29

   Year: 2006   
Tracks: 21




 






Monday 30 June 2008

Igor M

Igor M   
Artist: Igor M

   Genre(s): 
Other
   



Discography:


Feel It   
 Feel It

   Year: 2004   
Tracks: 3




 





Jesse Rose

Wednesday 25 June 2008

Big Al Calhoun

Big Al Calhoun   
Artist: Big Al Calhoun

   Genre(s): 
Blues
   



Discography:


Harmonica Blues   
 Harmonica Blues

   Year: 2004   
Tracks: 14




 






Monday 16 June 2008

Dolly Parton, Backwoods Barbie

Forever a dichotomy in the real heartland of American country music, Dolly Rebecca Parton has balanced commercial savvy with self-deprecating grace, all underlined with a very real ability to make music. At the same time of course she looks like some cartoon creation never appearing in anything less than towering heels and an equally gravity defying hairdo. In the UK we love her unreservedly. Her career has been rejuvenated by the support of national institutions like Sir Terry Wogan, who became a one-man marketing tool on the release of her pure bluegrass albums several years ago. Meanwhile in the States (where bluegrass is bizarrely regarded as country's poor hick cousin) she's still more lauded for her mainstream career. Backwoods Barbie is very much aimed at that market.

Co-produced by her bandleader, Kent Wells, and featuring no less that nine self-penned tracks, this is the sound of an artist both returning to the middle of the road while looking back over her own status as a blonde with more to her than a body that owes more to science than nature. First single, Better Get To Livin' is a strident ode to the lessons that Parton's learned in a lifetime spent in an arena where men most definitely are men and women are expected to be grateful. It sets the tone for most of the album. Dolly wants us to know that she's back and she means business. As such the subject matter concerns the great country staples of heartbreak (I Will Forever Hate Roses, Made Of Stone) and defiance in the face of heartbreak (the bolshy Shinola). While the production remains relatively conservative it still contains a slight modernisation of that Nashville rock sound. But she doesn't wholly forsake her roots. The best track by a (country) mile here is the haunting Only Dreamin'. This wonderful Appalachian lament wouldn't sound out of place on Robert Plant and Alison Krauss' last album.

More surprising are others' songs attempted here. While Dolly's take on Smokey Robinson's Tracks Of My Tears is sweet and straightforward, the banjo led take on the Fine Young Cannibals' Drives Me Crazy is a little odd, even though it extends the tradition of leftfield cover versions begun with Stairway To Heaven on Halos And Horns.

Already doing the business in the charts in the US, this seems to have been a wise career move at this stage for Parton. Her British fans will lap it up as well. The only regret is that you know she's talented enough to rise above such ordinary fare.


See Also

Sunday 1 June 2008

Toi Doi

Toi Doi   
Artist: Toi Doi

   Genre(s): 
Trance: Psychedelic
   



Discography:


Sustentator   
 Sustentator

   Year: 2003   
Tracks: 11


Technologic   
 Technologic

   Year: 2000   
Tracks: 9




 






Sunday 25 May 2008

The Strange Fruit Project

The Strange Fruit Project   
Artist: The Strange Fruit Project

   Genre(s): 
Rap: Hip-Hop
   



Discography:


From Divine   
 From Divine

   Year: 2003   
Tracks: 16




 






Tuesday 20 May 2008

Iceman

Iceman   
Artist: Iceman

   Genre(s): 
Other
   



Discography:


Turbulent   
 Turbulent

   Year: 2000   
Tracks: 9




 






American Idol teen gets album deal

American Idol teen gets album deal



Josiah Leming, the 17-year-old whose elimination from the audition rounds of 'American Idol' was one of the show's big stories this year, has signed a record deal.




Spaceluv

Watson completes tumour treatment

Watson completes tumour treatment



Opera singer Russell Watson has completed a five-week trend of radiation therapy to carry off a recurrent brain tumor.
The 41-year-old isaac M. Singer, known as The Voice, described his treatment as "no walk in the common".
Watson's manager Giles Baxendale said: "He's finished his discourse only he doesn't know whether he is in the realise in time."
"He's doing well, he's a little tired, a bit drained, simply he's upbeat that it's finished."
Watson will now have to have regular scans to fix whether or not the discourse has been successful.
In a message on his internet site, Watson said: "I've had my moments under that machine where I exactly wanted to stop the bloody thing and walk aside."
"I'm not out of the wood yet. I dearly wanted to keep the side-effects to a lower limit and I've been keeping myself fit and healthy as I tin can, just I'm afraid they've caught up with me, and I don't idea admitting I've not been myself."
"I'm hardly so lucky I've had friends, family, and of path my fans to facilitate me through; I in truth don't think I could do this without the reinforcement I've had," the isaac Bashevis Singer wrote.
Watson underwent surgical procedure to remove a brainpower neoplasm last October. It was his irregular operation on the neoplasm in 12 months.




U2 3D concert film to get cinema release

Dancing on Ice celebrities revealed

Dancing on Ice celebrities revealed



The celebrities due to have component part in the fresh series of 'Dancing on Ice' have been revealed.
Those pickings part in the ice skating show this time of year let in isaac M. Singer Samantha Mumba, 'Emmerdale' actress Linda Lusardi, 'Hollyoaks' doer Chris Fountain, pop vocalist Gareth William Henry Gates and television presenter Sarah Henry Graham Greene.
As well pickings to the iCE for the new series of the reality show are 'How Clean Is Your House' star Aggie Sir Alexander Mackenzie, TV sponsor Natalie Pinkham, lawn tennis asterisk Greg Rusedski, former Hear'Say star Suzanne Shaw, 'GMTV' newsman Michael Underwood, TV sponsor Tim Vincent and javelin adept Steve Backley.
Former Olympic skating champions Jayne Torvill and St. Christopher Dean will one time again passenger vehicle the stars during their time on the usher.
Prince Philip Schofield and Buddy Holly Willoughby volition bring back as presenters of the series.